Winner of Juried Arts Competition! ‘Rock-2′ wins award at Norfolk Arts Centre in Simcoe

Hi everyone,
I just thought I would re-blog Laurie-Lynn’s latest blog post as I feel that this event was a very important break-through in her career as an artist. I have always felt that her work would eventually make some “waves” in the art community. Congratulations on your perseverance Laurie-Lynn. The award is further recognition of your amazing talent. Hopefully this will provide the extra inspiration to continue on a path that would leave the art world a little empty if you didn’t share your passion and vision with the world.
I will always support you in your endeavors.

Creative Explorations into the Past

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from left to right: Adam Veri (Barber & Veri Inc.), Deirdre Chisholm (Director/Curator Norfolk Arts Centre) & Artist Laurie-Lynn McGlynn- photo courtesy of Douglas R. McGlynn

Friday June 29, 2012 marked the long anticipated reception and grand opening of the Arts Country Juried Exhibition. This show represents the work of artists from 5 counties in Southwestern Ontario, and is held at the Norfolk Arts Centre in Simcoe Ontario. Click here for a map of the gallery:

http://goo.gl/maps/KCVr

The exhibition runs from June 29-August 30, 2012. Along with offering an official welcome to the public, last Friday’s reception provided the forum from which the winners of the juried art competition were officially announced. Three winners were chosen from a talented pool of artists from Brant, Elgin, Middlesex, Norfolk and Oxford Counties. I am happy to announce that my painting ‘Rock 2’ was selected for an award and cash prize which…

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Inkscape or “wow, did I really draw that?”

In the words of Monty Python, ” and now for something completely different”. The next stage of our learning curve in programming in interactive exhibit design took a slightly different route. This involved a program called Inkscape. On first glance, this program looks very similar to some of the drawing programs that I have come across during my architectural career, only better. Instead of looking at a raster image where pixels are static, Inkscape uses Scalable Vector Graphics that allow you to manipulate, move, shade and rotate images that you have drawn. Due to the mathematical component of vector graphics, images do not take on the typical characteristics of pixel size restrictions as in raster images, and so do not lose quality or definition when enlarged or reduced in size. This also creates a smaller file size, which we all know is far easier to control. What I find most intriguing about this program is that it is a thinned down, 2-D version of SketchUp combined with Adobe Photoshop.

Once again, Inkscape is only as limited as your imagination, and your understanding of the many “tools” at your disposal. I have used Adobe Photoshop on a regular basis and the similarities between the various effects that can be created is more than apparent. Drawing with Inkscape is as simple as choosing a shape and then placing it where you want it to be. You can overlap, cut, move, colour, layer and stretch any shape you produce. There is one tool however that takes a bit of getting used to and that is the bezier tool. This crafty little piece of drawing technology helps you too make any curve, curved shape or combination of those two. But in order to understand just how to use this in inkscape does take a little more practice than you would expect.

There are many tutorials on the inkscape website to follow which do give a great step by step account of just what to do and how to achieve the effects you want. I followed the coffee cup tutorial and tweaked it slightly as I prefer a slightly larger cup of coffee than the one depicted. Here is the result:

Time to move onto the next little project in SketchUp. A program that I am familiar with and have already used to create my historical timeline. Stay posted!!

Spatial dimensions: real and virtual

Space: not quite the final frontier as we know it but it can often seem that way. Space is an invisible entity that we label all the time to give it meaning. We enclose it, envelope it, walk and move through it, personalize it, privatize it, and publicize it. Space is with us all the time and yet like the wind we can’t see it, however, it allows us to see the world. Space was here before we arrived and it will still be here when we leave. As humans we have given space a generalization in our own terms to specify our boundaries and our laws, Public Space and Private Space. The definition of “Public” and “Private” as defined in the Oxford English Dictionary are ambiguous and representative ; Public-“relating to or available to the people as a whole……..” and Private-“for or belonging to one particular person or group only.” The question is: why do people place a name on something that has been around since before the earth was formed and that you can’t see and we have no ownership of. What we are really doing is trying to define a physical name to an area in relation to physical material (concrete, steel, glass, trees, etc) in order to give it meaning so that there is a clear understanding of whether the public can or cannot use that area. The space will always be there whether we name it or not. In our quest for this definition, Private and Public Space has become somewhat of a grey area with spaces public during the day and private at night for obvious security reasons. There is one space that we fail to mention as private and that is our own, the invisible shield of anonymity that “protects” us psychologically from the world.

We can translate however the spacial aspect of public and private space to a more psychological entity as well as a physical entity such as a building enveloping space. The psychological spatial awareness that we have as private space can be defined as our “personal space”. The area of comfort zone around us that either allows people that we know to get close to us or the people that we have yet to get to know to stay away from us. Personal space control is shown throughout campus in lecture halls, meetings and communal areas by either leaving a seat between yourself and the next person, placing an object between yourself and someone else or by avoiding eye contact and therefore refusing permission to someone wanting to sit next to you. This feeling of “virtual” space can be shown even clearer with someone walking with their headphones on, listening to music, or talking on the phone, texting their friends OR a combination of all three, completely oblivious to the world around them in their own ‘private’ spatial bubble.

We recognize this as private space in the personal objection to human contact on approach and the avoidance in recognition of the willingness to partake in one of the most basic of human functions, communication through eye-contact. In recognizing this “virtual” private space we tend to avoid or walk around people in their spatial bubble in order to prevent an accident or scaring them when we get nearer showing we understand that they want this privacy. The private space bubble can therefore only be broken by someone who knows the individual and is willing to break the sense of hypnosis created by the “virtual” space or a recognition that the individual needs to conform to a spatial dilemma like crossing the road or catching a bus. We have all requested this use of private space at one time or another throughout our lives and therefore we have an understanding to some degree of the implications surrounding the use of “virtual” space. Technology has to some extent increased the physical use of this “virtual” space in our current society.

The internet reflects the principles of the ‘idea’ of space. It continues to exist whenever we are doing something else, and it will continue to exist when we are no longer here, as long as computers and servers still run. ‘Virtual’ space also has the ambiguous distinctions of public and private depending on what websites you have the ability to access, are allowed to gain access to or have the money to gain access to. The public and private sphere of the internet mirrors our social structure of everyday lives and will continue to do so until we can break down our own definitions of public and private sphere.